Showing posts with label abstraction. Show all posts
Showing posts with label abstraction. Show all posts

Tuesday, 29 September 2015

Bass Styles

Tile designs by Saul Bass, as featured in Motif, issue 8, 1961.








"In considering the problem of how to approach a surface, there
seem to be several key elements involved. One is colour, another
is pattern or decoration, and still another is the use of the sculptured
or raised surface. When I was asked by Pomona Tile Company
to participate in their design programme, it was this latter
possibility, the sculptural approach, that seemed to demand exploration in relation to tiles.


What resulted is a group of designs that present the possibilities
of treating the tile wall in contemporary terms as a bas-relief.
Since the forms of these tiles are described and delineated by
light, one of the qualities that emerged was that they appeared to
change, as the direction and intensity of the light changed.


The designs have many possibilities in application ranging from
individual tiles sprinkled on a wall; massing in sections; complete
walls; to exterior as well as interior use in areas not normally
considered tile areas. It was my intention that all of these possibilities would occur as a result of a group of designs that would be simple, and yet permissive of a high level of individuality in each of its varied applications."


SAUL BASS

Friday, 4 July 2014

Square Bear


Josef Albers
Formulation : Articulation
London, Thames & Hudson, 2006

Most people know Joseph Albers as the master of the square. As you will see from the cover there are some nice examples in this facsimile collection of prints, however it's a nice surprise to find a range of other strong designs included.


The book contains reproductions of two sets of prints Albers produced as the summation of 40 years teaching and theorising about art and colour. The beautifully printed images often appear disarmingly simple at first, and it is when the viewer is forced to figure exactly out how the colours and lines interact to create pictures that one's brain begins to ache a bit, in the nicest possible way.













Friday, 13 June 2014

Ellsworthy

Ellsworth Kelly - The Years in France, 1948-1954
Yve-Alain Bois (et al)
Munich, 1992 

Great catalogue published on the occasion of a partial retrospective at the Galerie Nationale du Jeu du Paume, Paris. I was familiar with the first two images but hadn't seen this series of spectrum collages. Pixelation avant la lettre, it seems many artists including the Great Gerhard Richter himself may have been 'inspired' by these works.

Seine, oil on wood, 1951

Spectrum Colours Arranged by Chance, oil on wood, 1951-53

Sanary, oil on wood, 1952

Colours for a Large Wall, Oil on canvas on wood, 1951

Spectrum I, oil on canvas, 1953

Spectrum Colours Arranged by Chance I, collage, 1951

Spectrum Colours Arranged by Chance II, collage, 1951

Spectrum Colours Arranged by Chance III, collage, 1951

Spectrum Colours Arranged by Chance IV, collage, 1951

Spectrum Colours Arranged by Chance V, collage, 1951

Spectrum Colours Arranged by Chance VI, collage, 1951

Spectrum Colours Arranged by Chance VII, collage, 1951

Spectrum Colours Arranged by Chance VIII, collage, 1951

Spectrum Colours Arranged by... hang on ...

Wednesday, 14 May 2014

Armitage Shanks

Kenneth Armitage (1916-2002) was a British semi-abstract sculptor whose sense of humour enlivened his work in the 1950s and 60s, but this eventually prevented him from being able to let go of realism and his later works have a naff Pop quality that for me is far less successful.

These earlier works embody a playfulness that is just the right side of kitsch.
Linked Figures, 1949

Family going for a Walk, 1951

Children playing, 1953

Diarchy, 1957

Big Doll, 1969

Mouton Sun, 1959-63

Wall and Panderus, 1965

Slab Figure, 1961

The Sentinels, 1955-6